Cybernetics is often confused with robotics and AI, chip implants and biomechatronics, and more. Don’t want to disappoint you but cybernetics is none of those things (though it has a lot to say about all of them). Cybernetics is not freezing dead people, neither. (I’m hoping that’s less of a surprise. Maybe not.)
Worlds Fair Nano – March 2018 – San Francisco
Hoping to clear up all that confusion in 20 minutes, I’m giving a talk on Saturday, March 10th, 2018, at 2pm at Worlds Fair Nano in San Francisco. One thousand attendees expected (wow).
To speak about the future of cybernetics (as in this short video) is to speak about its past and present (requiring another short video). In an era that vacillates between rampant AI utopianism and rampant AI dystopianism, what does cybernetics have to offer our future? Read more…
Colloquy as imagined and situated in staging space
(See introductory post here.)
No, our replica of The Colloquy of Mobiles is not yet real—this is only a photoshopped image of how it will look in our staging space in May at College for Creative Studies in Detroit (CCS). But the photo speaks our intention and hints at our progress.
The CCS MFA Interaction Design (IxD)‘s Colloquy 2018 Project— to remake Gordon Pask‘s original installation at London’s Institute for Contemporary Arts in 1968—is well under way.
CCS students have been mining the historical materials on The Colloquy and building a repository of understanding to share with the world. Read more…
COLLOQUY OF MOBILES 1968 (www.medienkunstnetz.de)
(Project introduction follows below; see later update here.)
Imagine walking into a gallery and seeing these larger-than-life mobiles hanging from the ceiling — they rotate, blink, squawk, and sometimes synchronize with each other, completely without human intervention. You walk among them, blocking their interactions, using a flashlight to attract their attention, wanting to get in on their conversation.
This was Gordon Pask’s COLLOQUY OF MOBILES at the Institute for Contemporary Art in London, part of an exhibition called Cybernetic Serendipity in 1968. Yes, 50 years ago in 1968 — an exploration of machine-to-machine and person-to-machine conversations in an interactive, immersive environment, perhaps the first of its kind. Frequently praised for its originality and influence, Pask’s COLLOQUY is a precursor to practices of contemporary art and design, as well as a prescient vision of our future with machines that may choose to act on their own.
To “design our world” has been the goal of every human generation. Every day we wake up to an invitation to become whom we wish to become. I believe the role of design is to help all of us to achieve that goal for ourselves — that is, to be designers of our own world.
Ambitious, I realize. As is trying to tame wicked problems through design.
But what is “design” anyway? Why isn’t “design thinking” enough? And what’s this got to do with cybernetics, anyway? I offer viewpoints in my Heinz von Foerster ’17 Lecture, entitled Designing Our World: Cybernetics as Conversations for Action. See the abstract, video, and supporting materials here.
Not an iPhone but an architecture of services that it inspired for a report for Samsung in 2010.
I remember June 29, 2007, as if it were yesterday (almost). I bought my first iPhone from the Apple Store on Fifth Avenue in New York City on the first day it came out. I had worked all day on a typical consulting gig from my apartment, which was a 10-minute walk to the flagship Apple store. Around 4pm I had done enough so I figured, What the hell? — yes, it was that casual — I’d stroll over to see what was up. What I found was a party. I hadn’t intended to, but I got on line to buy. Read more…
In Fall 2017, the MFA program at CCS is introducing a new studio course called “Interaction Design Evolution.” The course invites students to riff on prior innovations in the history of interaction design and then to invent their own. Seriously.
Rendering of Vannevar Bush’s MEMEX concept from 1945
One example from history: Vannevar Bush’s “MEMEX” comes from the 1940’s. Bush conceived it as a desk containing vast amounts of information stored on reels of microfiche (because digital magnetic media didn’t yet exist). Bush imagined retrieval of information based on what we now call tagging, achieved here by visual splotches on the edge of the frames of microfiche. We’ve got tagging in modern, digital web browsers (with vastly greater numbers of tags and vastly greater speed). But Bush also imagined two displays—not one, as we have today. Why?
Despina Papadopoulos @ChangeModel is visiting CCS and on Friday she delivered thesis crits and portfolio reviews for @CCSMFAIXD.
Steve Stavropoulos, second-year MFA IxD student, presented his design for a service that would allow users to flag repeating issues in their neighborhood, anything from stray dogs or crime, dangerous streets or broken street lights. These concerns would then come to the attention of community groups such as schools, businesses, and churches. Despina advocated for a few foundational shifts. Read more…